Those Days – Jonathan O’Farrell

Her attention wandered from the raised dais, momentarily.

‘So what, give me this moment, life is precious’.

He had come up, a little chilled,

but otherwise mostly un-nibbled by scaly denizens, of the deep drowned land;

and now found himself, sat next to her

back seats, the theatre of life.

During a brief interlude they slipped out,

Perfection, just long enough, out of whatever character currently portrayed.

Stood, still dripping a bit, at the bar she had previously raised

he held not the next shows’ programme, nor blueprint, or deed of ownership.

None, but a mug of steaming cocoa,

cradled, supported by bones

and simple, vulnerable flesh,

but that now warmed and alive.

And at sometime he pulled out an imaginary blank sheet of paper,

kept carefully dry

and unwrapped that idea, from within a fold in his soul.

Thus, the interval minutes turned to hours.

Hours of maybe sitting in the sun, basking in wordless skies.

Or little trips out to look and listen to the land, breathe, a tale or two, of two.

Seemingly, the sun moved

into the awaiting skin of that land.

Apparently it always does that.

Undistracted, during a firefly inspired, yet otherwise unscheduled meditation

he and she must have noted, that,

‘Oh, night – where did that evening go?’

No answer that time, to give,

other than ‘night, sleep well – perfection’.

As a result to this easy sum of planetary rotation

who knows what they plotted

and scrapped happily in a hungry waste basket,

ready, as ever, to receive

the scrunched up brown paper, a new world of map making.

There may have transpired crumbs of toast in a bed, or beds,

a copious number of kettles boiled,

little rocks rearranged, card games.

Wildly predictive texts read with mirth, at their late

and multiple arrival, like buses.

Car washed, paint brushes rinsed.

At times, horrors – a gaggle of unwashed coffee cups,

negotiated  by poised but gently flicking tails.

We can deduce very little my students of life

from what remains;

other than to say, games and fun played a very large part

in these lives.

Hello Miss Dreamer, at the back, yes, ha hum!

Perhaps it may have been inscribed in a journal

by one or other of them at the time,

in those uncounted days.

But the bee waxed birch bark tube

may not have survived well the consequent flood.

So we cannot know, for sure,

but we can piece together a few possibilities and imagine . . .

to our hearts content, the rest . . .

of what their bodies reveal.

 

 

 

 

 

 

 

 

 

 

 

I am a F*cking Writer!- Jasper Kerkau

I am a writer!

I sit on the left-hand of the gods and have a special dispensation to decode the secret, universal rhythms, find patterns in the whispers which are inaudible to profane ears. My role is that of an observer; a quiet, meditative force who has a holy charge to record the divine misery, the blind mysteries, the eek-and-turn everyday struggle of life, seen through the eyes of one who has divested himself of all worldly goods.

Who are you?

I am a fucking writer! I am convicted, given over to the great purpose of wresting the truth away from the earth, buried under layers of silt and sediment, caught up in the swirl of the waters that lean to the great gravitational forces as the world mercilessly spins in the great unknown. The curse is the burden, the pulling back the veil, looking into the languid eyes affixed on the gloss and glitter of shards of glass and bits of triviality, finding the gift in otherness, turning away from the doomed, and, alas, finding a tribe of others who beckon the same call.

What do you do?

I am a writer! Though during the day, I am an undercover laborer, engaged in the task of finding means to an end. Looking out of windows, staring at watches, waiting…waiting for life to begin. The toiling is for naught; it doesn’t define me. I work for a living, but when I put my head on pillow, or look in the mirror, I know exactly what I am. Touched by the hand of god, beholden to vision and in collaboration with a silent minority, hiding out, going through motions, learning, and watching. I am anointed by almighty forces, who picked me up and spit me into the world with love in my heart, to stand in the shadows and pay the price for all of the beauty and all the unhappiness in the world.

© Jasper Kerkau 2016

 

We hope you enjoyed this classic piece of writing from the Sudden Denouement archive.


Jasper Kerkau is a managing editor and writer for Sudden Denouement and editor and writer for The Writings of Jasper Kerkau.


 

Minotaur – lois e. linkens

minotaur.jpeg

minotaur (lois e. linkens)

should i burn for you?
sacrifice myself for you?
leave behind my friends for you,
become something i’m not for you?
eat away my heart for you,
wrap my soul in cloth for you,
be a real woman too,
a real woman, through and through.
should i be a bitch for you?
make up pretty lies for you?
convince my mum i’m fine for you,
just because you want me to,
stay behind the line for you?
at your feet i pay my due.
on grazed knees await my cue,
desires and whims i must subdue,
i owe my everything to you.
in death, in life, i’m chained to you,
polished, prepped and preened for you,
i am the other half of you.
we make a pretty pair, we two,
a minotaur we are, us two,
man and bull, stuck up with glue.
i am the bull that leads us through,
i am the head and frontal view,
all i want is to please you.
all i want is to please you.
all i want is to please you –
and you, in turn, will love me too?
for all of our forever, won’t you?

We hope you enjoyed this classic piece of writing from the Sudden Denouement archive.


Lois describes herself as a “confused English student,” though one quickly finds a polished, charming poet in her work. She has an elegant style that compliments her keen insight and whimsical sensibilities. It is a pleasure to present her work, and you can find more of it at Lois E. Linkins

Two by Two- Daffni Gingerich

I remember the day I closed my eyes and there he was, coaxing me out of my shell. He had already created a place for me. I guess it all could’ve been a trap but either way it pulled me in in a way I would be set free from my past and locked into infinity. And every day is a reminder that I’m ok. I scream and claw and remove the skin from beneath my nails. But life can’t stop there. It won’t, and when the show goes on, I’m more learned and possess a trust in myself that helps me endure. When I inhale, evil spirits come along with the good ones and I sift through them like a collection of pearls before I cast them back into my writing. Except when I’m drunk, that’s when I grab the first and act on it passionately with little thought. Every act is a piece closer to understanding and every nights sleep a chance to come back from the dead. Where we go there’s footprints and where we bloom, there’s the scent of leftover sex and cigarettes. He’s the connection, the bridge from one stairwell to another, and together, we’re an ocean I long to swim in.


Daffni Gingerich says simply that she “is a writer.”  You can read more of her mesmerizing prose at Daffniblog.

 

Figments of a Mania – Henna Sjöblom

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I saw her in the dark of my eye

stretched out on a polyester blanket,

puffed-up cheeks and threads of pink bubblegum stuck to her hair
the /maggot-eaten/ stockings barely covering up the /cigarette burns/ along her legs
riffles trough the pages of the /holy/ bible, decides she doesn’t have time

patient may sometimes experience feelings of irritability,                   grandiosity, or an increase in sexual desires

I masturbated to the image that night
and called /my own/ name as I came, arrogant god that I am,
wrapped up in my own, gluttonous plane of existence
I would grab a stake and drive it trough my uterus
So that my guts would spill out, drenching your immobilized body
beneath me
and you would cry out /in bliss/
knowing the

true exemption

of being defeated

before I was holy, I used to know shame
I made up lists of people I /couldn’t/ touch
sanctimonious beacons of chastity

I later took pleasure
in tearing apart                  patient tends to be outgoing,

easily angered,
I defile
/everything/
and
/everyone/
I find desirable

each day, my idols grow smaller

                                                     or could it be that I am growing bigger
It’s hard to see from inside the Taurus’s jaws
so I do as advised, save my apologies for another day
and succumb to the feeling
of walking on thin, crystal ice
waiting for the finned shadows
inevitably about to snatch me back to the depths
from which I arise,
the /drowned/ queen of the two-faced

 

[Murder Tramp Birthday, previously Malicia Frost, in real life known as Henna, a hobbyist writer and an aspiring novelist from Finland. She enjoys surrealism, sci-fi and horror, and her writing often deals with mental illness. More of her works can be found at her personal blog.]

Poetry: Buy, Sell, or Hold – David Lohrey


Poetry: Buy, Sell, or Hold?

I sent my new poem to an old friend who replied:
“I know nothing of poetry.”
Another said about the same. “I don’t read the stuff.
Sorry.” It got me to thinking.

Had I sent in a stock tip, they would have rewarded me.
I might have received a bottle of Chablis, maybe even a good one,
had I sent in trading data on Nasdaq or the New York Stock Exchange.
Who would have said, “I’m not into making money.”?

But one comes to learn an awful truth about one’s friends.
Not just their indifference; that’s painful enough.
No. It’s that for them poetry is something akin to masturbation.
They don’t want to hear about it. It’s an embarrassment.

My friends are always buying or selling. If I had produced a tomato,
I’d have been advised to set up a stand on the sidewalk.
The price of tomatoes is high, asparagus even higher,
but poetry is nearly worthless; like trying to sell one’s teeth.

Poetry is not a commodity. My friends are merchants.
It’s a shameful action, like going to Confession.
Can you sell your sins? How much do one’s dreams weigh?
Nobody wants to watch a friend display himself.

It’s not that poetry is disgusting. But it may be shameful.
It’s seen as a waste of time: not an adult activity, not a good investment,
something more akin to gathering pine cones or pressing leaves in an album,
i.e., kid stuff, or a hobby for little old ladies.

I feel like a cat taking a bloody mouse to her master.
As I drop my poem at my friend’s feet, she gives it a glance
and sneers: “What’s that for? It’s not very pleasant.
Your job is to please me. Go play in the garden.”

That’s the response of my once best friend. She sees herself as an artist
or at least claims to be artistic. She wouldn’t treat a painting the way she scorns poetry.
But then again you can own an oil. You can hang it.
Even better you can resell it.

Stocks and paintings are good investments, like real estate.
Cars and furniture lose value, more like a poem.
They’re best when new, but with art, the worth is in its place,
they say. It’s not just beauty; it’s location, location, location.

Poetry is a dying art, especially when the artistic disown it.
They’d rather have crème brûlée or pear mousse with walnuts.
It’s not only prettier but something sweet. Poetry is no treat, and poets
are a nuisance. They have the absurd idea that what they do has value.

 

[David Lohrey is the author of Machiavelli’s Backyard from Sudden Denouement Publishing. He is also an editor for Sudden Denouement and a mentor for me personally – Jasper Kerkau]

Street Rats- Introducing Daffni Gingerich

Ziegfeld Model - Non-Risque - by Alfred Cheney Johnston

From the depths of my churning stomach, he pulls out my childhood and makes me puke so violently it comes out of my eyes. After wiping my face, he kisses my acidic lips. That’s when the world stops and the words start to fall out of me. The mustard plants in the vineyard across the street bloom yearly. They’re beautiful so I sit on the fence and get lost in them. When with me, he’d stare for a good 20 mins before sneaking his dirty paws up my shirt. The wind would cause me to run through the flowers in whatever direction it blew. The sky is blue and I can taste grapefruits in the air. He grabs my arm and pulls me back towards him to say I could never get away. With his arms locked tight around me and my soul devoured by his eyes, I feel a shiver go up my dress. Reminds me of Clara Harris, the woman who they claimed had “sudden passion” and hit her husband repeatedly with a car. Then proceeded to run over his lifeless body. His kisses bring me to places I never planned on going. A monkey and tiger tug at my dress and the sultan rubs a gold lamp. I want the lamp but when I return to his kiss there’s not much else I could ask for. Besides well written work and well, that’s something I prefer to earn over rubbing a lamp to get for free.

[We are very excited to add Daffni Gingerich to our collective. She is a special writer who brings something very special to the our group. I would hope that you would welcome here to SD.]