Excerpt from Anthology Volume I: Writings from the Sudden Denouement Literary Collective- Ribeira dos Namorados – The Valentine Stream/Jonathan O’Farrell

[Picture by Jonathan O’Farrell]

Urging un-quieted falling, fluidity.
Senseless, surfing god torrent.
White noise cleansing oblivion.
Fluvial cold catharsis sender.
Rampant throwing moss-pit
Drenching doom spume.
Rampaging slit.
Delinquente deluge, slab slayer.
Forment shuddering orgasmic overthrow.
Aqueous aquarian revolt.
Spurting denyer of place.
Roaring rent in stability.
Quenching, opportune, outlet.
Cleansing cleft rock crusher.
Rudderless rushing lubricant.

Future, glistening, delight.
Riverine stage for summers lovers, owls and javeli.
Mount my vulnerable banks, engulf.

March 2017

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“I guess you might describe me as a semi-nomad, at the moment . . . and in the moment, I might change. I am transitioning into a creative life, blogging, photography and, significantly, the publication of my first two photographically illustrated poetry anthologies, this year.”

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Notes On A Suicide by Hemingway – A.G. Diedericks

The cosmos misplaced me
left me to meteor into this zeitgeist
of insipid distractions
Where i roam as an anachronism
under the city of lights
in pursuit of remnants from Lutetia
with nothing but a pen & piece
of paper to live on

Problem is I’m not a poet
Let me tell you how i know it:
I kill a reader
every time i get published
I drag ’em out
to the Battle of Normandy
and en garde my quill
up against their arsenal;
I tread belligerently
over land mines, unarmored
until there’s nothing left
of me to spill

Because who am i
without these lacerations
cut on truth
cut to the left
cut with avant garde

I look on as they flee for shelter
in colloquial boats
Washed up on the shores
of contrived obeisance

I write myself out
and into pastiche
Here..
Where i can marvel at all the artifacts
that has since been decimated
by phosphorescent eyes

In this solitary hamlet
away from the hullabaloo
of small voices;
I swim naked in a cesspool
of regret & excuses;
The past is a rope that pulls me up from the quagmire of my present;
The ghost of Hemingway smirks
at my attempted suicide
as he steals all the bullets from
my plagiarized shotgun

Leaving me tied to the dénouement
of his sagacious notes,

“Your abstract is redundant. The expatriates weren’t lost in an
archaic era. We Roared the 20s with the clamour of our own literature.
How is the reader supposed to find any emotive resonance in this?
Your soul is still buried underneath the words, and it will only come
to life once you’ve unearthed your own voice. I suggest you go and
pick a fight with a bull in the streets of Pamplona; You’ll find
everything you need there.”


A.G. Diedericks: “‘write what you know’ are the four most soporific
words I’ve ever heard. I am a divergent writer who couldn’t give 2
fucks about striving to be the best. To write only what you know, is
to play it safe. Art is imaginative rebellion. I am engaged with the
versatile risk takers, the ones who are not afraid to take their shoes
off & get dirty. I write & curate at Morality Park.”]

BECAUSE I’M A WHORE WHO ASKED FOR IT – Kindra M. Austin

I quite like the dark side, dear.

Show me your shadows, those

Phallic phalanges, and

Feel up my female.

 

I quite like the fusty spoors of

Spirits, and semen, and plundered

Blood

Fixed to my skin.

 

I quite like the emptiness settled in the pit of me—

The sharp taste on my tongue as I lick the edge of abyss.

 

Because I’m a whore who asked for it, simply by breathing.

 


 

Kindra M. Austin is an author (information on her book can be found here), artist, and a Sagittarius Valkyrie from the state of Michigan—Go Detroit Red Wings! She likes her drinks corpse stiff, music loud as fuck, and classic big block muscle cars. You can find her filing through the souls of the slain at poems and paragraphs. ]

Kindra M. Austin has just published a poetry book.
Click HERE for more information!

Subterranean Novellas – Aurora Phoenix

he is sleeping
fetally curled
as the narrow bench allows
hairily bedraggled
a forlorn green bean
hopelessly lost in a crisper corner.
insensible to the hubbub
lurch oblivious
sea legs unconscious.
his story has uncracked bindings
though I inescapably
draft this chapter
unimaginatively entitled
“homeless”
subtitled
survival strategies for bitter blustery days

they wear their privilege
like their pancake
precisely overdone
accentuating blemishes
it purports to mask.
like spanx in overtime
containing wayward bulges
they convulse in paroxysms
suppressed schoolgirl giggles
as they selfie mock him –
these southern belles
similarly lionizing
life’s half century
in the city
that will never sleep

do I,
in the crushed velvet burnout
that is my poetic soul,
bear closer resemblance
to an urban misfit
escaping frigidity
cloaked in congealed
eau de shame
than I do
the pungently judging
glam squad clique
clicking and cackling
in cringe-worthy
mean girl couture?

I hope,
fervently as the guillotine bound
damned
pray for salvation
that I do


[Aurora Phoenix: I spent over 2 decades as a clinical psychologist, prior to the decimation of my world when I was suddenly incarcerated 2 and a half years ago. My writing was born in that caged existence – not a choice but a soul-saving necessity.  I write as Aurora Phoenix at Insights from “Inside”]

Lost Voice – Christine Ray

siren’s golden voice
once dropped confident syllables
into air
as naturally as breathing
now stifled in constricted throat
that struggles to swallow
six-sided anxiety
hot, sour bile

college ruled notebooks
once full
of manic scribblings
compulsively captured in black ink
before inspiration could swirl down the floor drain
collect dust
sigh from disuse

pen now held in death grip
fingers have lost their grace
their nerve
fertile mind now an empty room
where silence rings
torturous tinnitus

blindfolded by fear
weight pressing down on shoulders
by the weight of giant
unseen inquisitor’s voice barks
Have you reached the bottom of yourself
are you so shallow
so barren?!
Or is truth so deeply hidden
that you must dive inside
hand to elbow buried into slippery entails
to reach it?

surgical implements laid out
with precision on a stainless tray
slide into view
no hesitation picking up sharp scalpel
with shaking fingers
a writer’s way is
always to bleed


[Christine Ray writes for Brave and Reckless and is a member of Sudden Denouement.  She is also curator at Blood Into Ink and barista at Go Dog Go Cafe.  She is an aspiring badass.]

Surface Dweller – 1Wise-Woman

Prison of promises
Delusions for the damned
Lies and betrayal
Death comes in intervals
Layer upon layer
Until all that is left are
Living dead
Shuffling round my head
Knocking at the door
Needing more
Offering less
Say you will save me
Whispering I love you
Behind my back
Fingers crossed
Soul stealer
Contradictions collect
In cranial crevices
Where absurdity blurs
Redundant reality
Devil keeps me company
Tap tap tapping claws
On protruding spine
Reciting rhymes
Psalms of sacrifice
Fracturing fault lines
Interrupting time
Minutia mocks me
Days become weeks
Become months
Become hell on earth
Eroded
Dusted eyes
Search ashen skies
Stifling cries
Regurgitated hope
Assures every ending
Begets a new beginning
Rueful rebirth
I’m waiting
Gunpowder on my breath
Surface dwellers
Feign faith
While I die my last death


[1Wise-Woman: “I am living, fighting, and thriving with mental illness and chronic disease and a need to express myself. Writing eases some of the weight I carry.” When she isn’t yanking shadowy strands of leathery clumps of unconscious, and tenderly placing them into word documents, she is creating at A Lion Sleeps in the Heart of the Brave.]

Nathan McCool – Divine

It’s all been Russian roulette and the game 

was rigged from the start. So,

you dear and distant god, what am I to 

make of these small moments between 

the hammer and the head?

 

Allow me this thought:

The clouds that are expelled from me

into winter’s dusk no longer take the form

of myth or fancy as they are painted 

against a dying sun. They are cotton candy 

caricatures of a man in the act of

self immolation.

I believe perhaps all of this has been a walk

down Saigon Road, and I’m now coming to sit calmly

without movement or sound at this intersection 

 

The world I have seen is a nuclei, and 

I am an electron in sporadic oscillation all around it.

I may leave at any given moment to bring 

the clouds of another world to wholeness

or part from them to expose them to the 

ultra violence of ultraviolet light.

 

Because I no longer know what I’m really staying for.

To witness war or the loss of love?

To watch children absorbed into the earth

or for them to wander off from innocence 

into the people they will become?

 

At this point I no longer truly think of ends,

just the momentum of the moment. 

I’ll one day have a grave like a laceration 

upon the flesh of the earth,

and you’ll all pour me in like salt.

But that is a moment with no meaning for me.

 

But in existence,

where misery takes up residence in my bed

so often I’ve taken to calling her “baby”,

I am an entity and an element.

In existence, I have lost more than I have

ever received; and carry more demons 

than I do pores of my skin.

 

Nothing out there cares if I got my druthers,

but I’ll let you know:

If you were to force me to live this innumerable times,

I’d sink these jagged teeth into life 

all over again.


 

x-posted

[Nathan McCool is actually so cool, I can’t stand it. You can find the haint, dusk, and sizzling of his concrete snares on Instagram, or at his blog, Mist of Melancholia.]