The Statistics of Opinion – David Lohrey

We hate the man in the White House because he eats McDonald’s.

We hate him because he orders his steaks well-done and uses

ketchup like a rube from St. Louis. Americans have adopted

the snobbery of Princess Margaret. We expect the President

to eat popcorn in white gloves.

Yes, this is who we are. We no longer want a President. We demand

a Queen. We treasure the wealthy not the greedy. He’s too much

like us, this man in the White House. The poor love him because

he eats the way we do. He spends his money in the same way

we would if we had any.

There’s a touch of the gutter in the men we send to the big house.

Some people have too much; that’s what makes us resentful. Not

Trump. We appreciate his desperation. We understand his hunger.

He’s not at all like the rich we’ve seen before. He knows his dough

is not permanent.

They’ll tell you how much they admire TR, because everyone loves

a rich man in power, but what I loved about Teddy was his delicacy,

his appreciation of nature, his love of the outdoors, his refusal to eat

with a spoon. All this came from his childhood asthma. He could ride

bareback and use a lasso.

You can’t blame Obama for wanting to be rich. What’s $50,000,000?

Change from the bottom of Oprah’s purse. After eight measly years

in the White House, he was bidding for a basketball team. Now, he is

worth nearly 800 million. And counting. Soon, he’ll be worth over

a billion. He has contempt for people who work for a living.

You turned your face away. We are deep into a period of misrule. The

Presidents are leaving power richer than when they come into office.

Clinton, Obama: trash, bless their hearts, but both now vacation on private yachts. They look down their noses at Trump. He’s beneath them. They

know real money. They can smell it.

I don’t want anyone to come down here trying to be kind. Trump teaches

us how to embody shrewd ignorant verve. Guts, not condescension. Not

the milk of human kindness. Too much of that and you’ll be ready for death.

He’s the kind of guy who’ll tell you you’re stupid, right to your face. Let’s face it: he reminds us of our mothers.


David Lohrey is from Memphis, where he grew up, and now lives in Tokyo, where he teaches and writes for local travel magazines. He graduated from UC Berkeley and then moved to LA where he lived for over 20 years.

Internationally, his poetry can be found in Otoliths, Stony Thursday Anthology, Sentinel Quarterly, and Tuck Magazine. In the US, recent poems have appeared in Poetry Circle, FRiGG, Obsidian, and Apogee Journal. His fiction can be read in Crack the Spine, Dodging the Rain, and Literally Stories.

David’s The Other Is Oneself, a study of 20th-century literature, was published in 2016, while his first collection of poetry, Machiavelli’s Backyard, was released in September 2017. He is a member of the Sudden Denouement Collective.

You’ve Been Careless with Her, and I Hate You – Kindra M. Austin

i hate you

Ravel,
unravel,
ravel…

Travel round-stuck-about;
but pain is faceless in the stoic.

You built the road she
travels,
ravels,
unravels…

She will paint her face in rage,
enraged
at last
with your infidelity.

Infidel,
you’ve made a grievous error;
for you may not enter temple, yet
refuse to pray at altar.

And she will build new roads to
those where you’re unwelcome
while you ravel,
unravel,
ravel…

Travel round-stuck-about.


Kindra M. Austin is a very sweary indie author and editor from mid-Michigan (you can find her books here). She’s also the co-founder of Blank Paper Press, a founding member of Indie Blu(e) Publishing, founder of publishing imprint, One for Sorrow, and a writer/managing editor at Blood into Ink, and Whisper and the Roar. Austin cut her poetry teeth in April, 2016, and joined the Sudden Denouement Literary Collective in 2017. You can find more of her foul mouth at poems and paragraphs.

Been Bloody – SRP

72791df6ad7a99db9e755542b538a444

From Anthology Volume I: Writings from the Sudden Denouement Literary Collective, available on Amazon


Terror fills the streets
in dark
as we cry to ourselves
sleep at night
you don’t know me
anymore
How many days how many nights
when we pull out
hair
and scratch out
eyes
Done seen too much
the information is relentless
I didn’t have a choice
won’t make it
you gave me the gun
tried to make it
right
She was standing there
right in front of him
and all i can see
is red
red red red
And i can’t wash it
clean
i can’t take it
away
we both are
still here
bloody


SRP is co-creator and editor for Sudden Denouement.

Absconding – Joey Gould

20181218_114046.jpg

Absconding

When I left my job I folded my apron like always, tucked

into my hat. Six months since the supermarket rows–apples

stacked once twisted & picked–I check into a dive hotel

in Chelsea with a room the size of my body but free apples

at the desk. At the ferry, a storm culls the sky like a produce knife.

Rain, rain, passing front, then stars: belligerent dappling apples,

sparkling cider in dark sky over Governor’s Island, Lady Liberty

bright as a promise. Squint long enough & any tree will bear apples

or maybe they’re given us to sample on arrival at the farm

in the sparsely-paved pinelands, Maine, littered with unheard-of apples,

varieties that drip summer when sliced, cry & bleed sugar—

cold mustering a nor’easter backstage for after apple

season, the pond cool enough to sting skin while dragging

the dock from its posts to the boathouse. Andy takes an apple

but leaves a basket of late peaches. Uncle!

I had lost my admiration for you. I’m sorry, dear apple,

for leaving you in fascist rows, for the poorly-cut quarters

for the bruised side hidden under a PLU sticker. Apple:

I remember being a mouth full child. Let’s get there sweet,

because we’re all going somewhere to be apple-

sauce. To the loud world, its musty-colored figs, riding the long

whalebone skeleton people marry under, apple

orchards when out of season. Gaunt capillary networks

dull white as a Macoun inside, bone-core of an apple

thrown out the car window on I-95, radio blasting Lady Lamb

on a cyser-crisp Sunday, singing: you are the apple.

I’ll carry my past in a tucked-away apron pocket. We all do, we all

secret away what we found: a kiss, a glimpse, an apple.

I’ll never leave the store. Or my heart won’t, that bloated, red

goat. How I run from it. How I should hold it soft like an apple.

Joey Gould is a long-time contributor to Mass Poetry who has twice been nominated for Bettering American Poetry and once for a Pushcart Prize. He has performed in The Poetry Circus, Elle Villanelle’s Poetry Bordello, and The Poetry Society of New York’s Poetry Brothel. He writes 100-word reviews as poetry editor for Drunk Monkeys. He’s working on a website: joeygouldpoetry.wordpress.com

You can follow Joey on Twitter @toshines

Sudden Denouement Classic: On Becoming a Writer – Christine Ray

Sometimes, adopting the names ‘writer’ and ‘poet’
Led her to encounters with the most amazing minds
Connecting her with a larger community

At other times she thought that ‘writer’ and ‘poet’
Were the loneliest names she had ever called herself
Waking up every morning
To unzip her chest, her gut
And bare her truths to the world
Because like others of her kind
She was complex, messy, containing
Multiple truths, not a singular one

Sometimes she felt like she was writing
To a small group of intimate friends
At others times,
She felt like she was calling out her truths
Into an empty desert landscape
Without even a coyote or armadillo
To hear her words before they fell away
Forlorn and unread
Unheard and unacknowledged
Rendering the writer, the poet herself
Invisible, diminished somehow

She was always struck by the juxtaposition
Of her physical body negotiating
Close suburbs,
Crowded subways and jostling city sidewalks
On the way to her day job
While her heart and mind
Wandered in the isolated wilderness
While errant words and wisps of dreams
And drops of feelings like rich, red blood
Continued to seep out of her


Christine Ray is a writing, editing tornado who touches down at Brave and RecklessSudden DenouementSudden Denouement PublishingWhisper and the RoarBlood Into Ink, the Go Dog Go CafeFVR Publishing, and Indie Blu(e).

Letting go- Erich Michaels

You’d think as the seasons march on
Rotting soldiers casting off bits of themselves
Their cadence seeming to ever quicken
Having lived a month and a half of April fools days
No wiser and falling for the same old tricks
That I’d bury my head in like a tick
Swallowing watermelon seeds hoping to root myself to the ground
Looking for ways to have my name chiseled in stone
Engraved in plaques or even a cornerstone time capsule
But there must be a limit, as there is for everything
In mourning tears and afternoon funerals
I’ve said goodbye so many times I bought a plane ticket to Hawaii
So I can pretend I’m really saying hello, for a change
My worst fear, having seen how it ravages the mind
Now sounds like a lullaby meant to usher you off
Your golden years never losing luster
Some days you forget you ever said goodbye in the first place
Your day becomes the photograph
Nursery rhymes a soundtrack
Your heart a bookmark


Erich Michaels describes himself as  “just trying to share the human experience.”  He has a bachelor’s degree in creative writing, but find himself writing SOPs (lather, rinse, repeat) in order to make a living, which can be detrimental to the creative process.  You can find him on the road to recovery at Erich Michaels. Every journey begins with a single step, right?

Hail the Empty Page-Lois E. Linkens

Hail the empty page; like an empty sky
It itched for birds. It ached for clouds,
Pined the cooling rain and wept for kites.
‘Twas a simple duty upon my maiden look,
To do as God; orchestrate the days and nights.
I might pull strands from blank, bald faces
Like wires through a net. And, behold this maddening thought –
I might love them, though I made their lives
In my own object. No matter. A golden child, and her floral friend –
I regret beyond my pen you’ll ne’er extend.
‘Tis responsibility more wild than parenthood.
See, this pitied child at yonder gate?
Her sorrow, wretched writer, did thee wickedly create.
One might a palace build, a place construct
Of Uncurbed Peace and Perfect Choice, easy plucked
From heaven, with fruits like jewels and space
For All. Would that be a sweet, kind thing?
Aye. But what use is Love, in such a dream?

My people live inside. At evening time,
In the orange candlelight, as the coffee steams,
(or sits undrunk) I leave that homely seat
And find myself a ghost among them all.


Lois is a poet and student from England. She is studying the literature of the Romantics and hopes their values and innovations will filter through into her own work. She is working on longer projects at present, with a hope to publish poetry collections and novels in the years to come. She is a feminist, an nostalgic optimist, and a quiet voice in the shadows of Joanne Baillie and Charlotte Smith. It is a pleasure to present her work, and you can find more of it at Lois E. Linkens

Sudden Denouement Classics: For Your Kiss – Max Meunier

i lay the braided stars
before your precious countenance

that you may walk
the path of light

where gods
no longer dwell

for we are but a figment
of ephemeral affectation

reflecting in the tear
that wells
in worlds
wont to forget

the season of surrender
shall not plunder my resolve

to beckon at your call
under the restless moon’s fluoresce

awakened…

stripped and strung

in astral flecks
that flickered with foreboding

the myths depicted
in the dithering
of days foregone

still haunting,

as your fragrance wafts
into the garden
florid waifs found desiccant

wistful sentiments
entwine me
in an urgent yearning

for your kiss


Max states: “I write about the things going on in my life. I am a feminist, humanist, cat loving musician bound by whimsy and the incessant analysis of hyper-vigilant observations. I am obsessed with words and rhythmically woven wordplay.” We are honored to have him as a member of our tribe. He writes at Max Or Not

Sudden Denouement Classics: Battle of Boredom – Henna Sjöblom

There was a war that day
indisputably
although, nobody talked about it
you would see them walking by a little faster
their funny hats tilting from side to side
Sometimes the sky would shatter above us
And bleed neon blue
the drains would flood
the cats drown in screeches
what good is having nine lives
if you don’t know how to stay afloat

People are all the same
Everyone would unfold their umbrellas
Hoping for the weather to clear
The shards of metal and from the air
they stay cramped in their corners
watching their toes rot away from the humidity

Under-dressed little girl
strutting about, singing
dead men can walk
madness her name
lost her little mind
in the deluge
the acid raindrops
digging trough her temples
like a poem
and when the streets eventually dried up
she would be found crying
in the sewer
bent over the smeared ink stains
the disfigured body
of a paper print lover


Henna Sjöblom,  the goth girl next-door. Aspiring author. Monstrophile. Horror enthusiast. She writes to cope with mental illness and everyday experiences. Find her at H.JD Writes

Sudden Denouement Classics: To Quote Walt Whitman- Mick Hugh

whitman

Are there pastorals in a pixel?
I’ve heard it said so.
That a perfect moment holds life’s memories…
yet the playback waits for death.

No better than the world
in a meek man’s hands:
show me the roses growing naturally in the graveyard,
or a romance with a wick for the years.

We can get high enough
if we run the old Buick
with the garage door shut.

We can get high
walking the Lincoln Tunnel,
or gasping for breath
from a Newark overpass.

A thousand office faces
find their dreams in computer screens,
still glowing when the day shuts its lights.
Wither the aortic valve,
just from a lack of use.

Lazy eyeballs,
cataracts,
myopic Coke-bottle glasses.
The smoke-stacks in a Cezanne.
Mesothelioma
in the gold mines of a wedding ring –
are we done yet?

Febrile seizures on a death-bed
awaken his famous past:
canyons in the skin
that ran the red of roses.

He’d take his books for walks
till his legs got lost,
down by the waterfront,
down Washington Street.

The clamor of half-built high-rises,
soot of the tent towns
under the highways:
the fast clacking of sharp shoes on the sidewalks,
a briefcase to withstand the bullets.

Strange creatures that lurked down the streets,
mange and tendon and quiet whisper.
The dog with chopped ears
pawed the Plexiglass shell,
and whimpered,
as the clerks and the lawyers brisked past.

A daisy grew in a pavement crack.
A daisy grew and the seasons churned
on a playback twice as fast.
Stop.

Stuck at a stop in the traffic-thronged street was a truck,
hauling concrete to the next empty lot, being filled.
The driver could barely be heard:
the hum of idling traffic,
the overpasses rumbling above;

beneath the sounds of airplane thrust
and the debates of World News Tonight,
the truck driver,
red faced,
barely heard,
shouting out,
“I loafe and invite my soul, I lean and loafe at my ease observing a spear of summer grass!”


Mick Hugh is a writer for Sudden Denouement, and the groundskeeper at Mick’s Neon Fog.