Sudden Denouement Classics: To Quote Walt Whitman- Mick Hugh

whitman

Are there pastorals in a pixel?
I’ve heard it said so.
That a perfect moment holds life’s memories…
yet the playback waits for death.

No better than the world
in a meek man’s hands:
show me the roses growing naturally in the graveyard,
or a romance with a wick for the years.

We can get high enough
if we run the old Buick
with the garage door shut.

We can get high
walking the Lincoln Tunnel,
or gasping for breath
from a Newark overpass.

A thousand office faces
find their dreams in computer screens,
still glowing when the day shuts its lights.
Wither the aortic valve,
just from a lack of use.

Lazy eyeballs,
cataracts,
myopic Coke-bottle glasses.
The smoke-stacks in a Cezanne.
Mesothelioma
in the gold mines of a wedding ring –
are we done yet?

Febrile seizures on a death-bed
awaken his famous past:
canyons in the skin
that ran the red of roses.

He’d take his books for walks
till his legs got lost,
down by the waterfront,
down Washington Street.

The clamor of half-built high-rises,
soot of the tent towns
under the highways:
the fast clacking of sharp shoes on the sidewalks,
a briefcase to withstand the bullets.

Strange creatures that lurked down the streets,
mange and tendon and quiet whisper.
The dog with chopped ears
pawed the Plexiglass shell,
and whimpered,
as the clerks and the lawyers brisked past.

A daisy grew in a pavement crack.
A daisy grew and the seasons churned
on a playback twice as fast.
Stop.

Stuck at a stop in the traffic-thronged street was a truck,
hauling concrete to the next empty lot, being filled.
The driver could barely be heard:
the hum of idling traffic,
the overpasses rumbling above;

beneath the sounds of airplane thrust
and the debates of World News Tonight,
the truck driver,
red faced,
barely heard,
shouting out,
“I loafe and invite my soul, I lean and loafe at my ease observing a spear of summer grass!”


Mick Hugh is a writer for Sudden Denouement, and the groundskeeper at Mick’s Neon Fog.


 

GI Distress

By Kindra M. Austin

definitely you.

Don’t be stoopid. It’s not me—

1.

Shush, now.

I know

break-ups are rough. Tough like

Rawhide.

Ever watch a dog chew on processed cow skin?

That shit’s indigestible; causes intestinal

swelling and diarrhea, etcetera.

Funny,

some relationships are (un)just

oversized break-ups in-waiting,

glazed with meat flavoring for optimal taste.

2.

I used to lounge with you

outside in the summer dark.

Under the stars,

we’d swig bottles of Miller Lite

and inhale Marlboro tobacco;

two Alphas trying

to cancel each other out.

3.

Shush.

That’s a goddamned lie.

I

never had int’rest

in your use-less

competition.

Now you howl by yourself,

wondering

who will clean up your vomit.

It’s not me—

definitely you.  


Kindra M. Austin is a very sweary indie author and editor from mid-Michigan (you can find her books here). She’s also the co-founder of Blank Paper Press, a founding member of Indie Blu(e) Publishing, founder of publishing imprint, One for Sorrow, and a writer/managing editor at Blood into Ink, and Whisper and the Roar. Austin cut her poetry teeth in April, 2016, and joined the Sudden Denouement Literary Collective in 2017. You can find more of her foul mouth at poems and paragraphs.



A Stable Life

by Mick Hugh

For three years I’ve sat up in my tree,
in the shade of dreams,
and the roots have slowly
been drying up.

For three years catching wafts
of the vinegar and rotted fruits,
of our American Dream,
recessive trait of responsibility.

Who knew at the age of 22,
hot-blooded crotches
and itchy skin for sunshine,
that a Fortune 500 would be their Jubilee?

What pederast had it out at 18
to be a financial manager
at corporate Walgreens?

The treelimb you sit on breaks,
and the fall takes a few months.
Rat cages and sychophants
fed twice as much for listening.

The heroics of monotony.

Remember your days
reading textbooks at your desk,
group projects and algebraic thinking:
Little Davey you’ve been cultivated for this.

No need for you to sweat callouses and rough hands,
they’ve got another desk for you.
Pear-shaped where the body-fat masses on their seats,
little economic engines-that-could.

Genetically modified flowers
blossom without sunlight,
without color or stamens;
a horse without nuts
makes an easier ride.

Have a house,
have a kid,
be well-fed.
Pad your stable.

The American frontier
is a corral on Main Street,
Maple Street
and daydreams of Carnival Cruises.

Masturbate on lunch break,
a few white tears
in a bathroom stall.

Life lived,
life lost,
100 million limp-necked stiffs
have cordoned-off unnecessary risks.

Welcome to your stable, kid.



Mick Hugh is a writer for Sudden Denouement, and the groundskeeper at Mick’s Neon Fog.

Cohen, Cave, and Joy Division Crash This Bar

by Nathan McCool


I gather up abandoned bottles kissed with

cherry lipstick and cigarette scents – bring them to my lips and eavesdrop on the white noise inside.

“Come on back in, one more time, for the encore of “The Butcher Boy”; come in for

the closed viewing of PSR B1919+21.”

And this is when the boredom of barrooms

comes alive.

Right at the moment I emit pulses

that tell the masses I am not part of them. I’m sending you a signal, you tiny, little world.

See me here spinning and burning in my own

mind. I hop on stage to sing you a melancholy ballad and follow it up with “Tower of Song”.

That’s where I am. Another hundred floors below Hank Williams

and screaming to tell you,

“It’s the loneliest down here.”


Nathan McCool is a member of Blood Into Ink and the Sudden Denouement Literary Collective. You can find the haint, dusk, and sizzling of his concrete snares on his blog, Mist of Melancholia.

Dr Faust converses with Schrödinger

By HENNA SJÖBLOM


Was it alive?

Does it matter? When you think about it, there’s no proof for either side. The very idea of not being is incomprehensible to the human mind. We bleed for meaning, for something to tear at, we cry in the shower while stroking ourselves, nipping the folds of salvation. We come to the thought of eternal life or eternal damnation, both irresistible to us, stirring a perverse satisfaction in our gut. We press cigarette ends to our wrists, kiss boys with white collars just to taste god between their legs, wake up with a smashed bottle of cyanide in our hands and fingerprints around our necks. We are here and we are not. The meaning of life is immaterial once we’re aware of it; to want is to be alive, to survive is to

never know.

I believe you found the core of the poodle there.

The seal of the chamber is ever unmoving. Why care for what lies beyond our sight? To perceive would eliminate the purpose. After all, what is desire but a reminder of our impending death, the grave notion of how everything just doesn’t matter? Ball and chain, pit and pendulum. Now wine drips from the veins of the sky, slashed open by insight. I saw the heavens unfolding. If this is our only chance, why, let’s dance with Mephisto tonight, let’s inhale gasoline and stick our fingers in each other, lick eternity from out chins and dip acid in our eyes. Ours is this world, ours is the piercing tongue of god.

Heinrich, my friend,

we will surely burn.


Henna Sjöblom,  the goth girl next-door. Aspiring author. Monstrophile. Horror enthusiast. She writes to cope with mental illness and everyday experiences. Find her at Murder Tramp Birthday

Quietly incessant

by Oldepunk

I wasn’t always sure

About the noise in the background

Incessant, like the peeling of

A grimace in rush hour massacres

Pounding out the march of time

To rounded pupils and bloodshot

Veins that wrapped around conclusions

They claim names remain inane

I see some new faces on the pavement

air is thick with mistrust and ash

I know it’s not safe to breathe

There’s really no other alternative though, right?

Nodding on Himalayan chiba

Absorbing good news vibes

While the bad news bears play to lose

In the side streets, side stepping

Johnny law and copper johns

Did you hear that meth is a thing again

Don’t call it a comeback, it’s company certified now

Cheaper and harder than generic opioids and gin

Sundays and shit coffee and stale pastries

Freebasing the shame on the nails of

Mary Magdalene and asking if maybe

She was the one this whole time

I once knew a girl who looked like

My vision of the wife of a Messiah

Except she dressed like Lilith and wakizashi

She wrote me a Gospel unlike any other

My faith in her will be

the dirt of my grave

She spun up a speedball packed

With that Chelyabinsk fentanyl

Cooked herself the last supper

she ascended while surrounded

by a dozen other prophets

in a broken down rectory on

North Brother Isle

I would share her Book but I haven’t the words

To quite define the Spirit she conferred;

faith restored in self.

I regret I could not return the favor

Perhaps that’s how angels get back

Where they’re supposed to go

I tattooed Psalms of her movements

Upon the palms of my daughters hands.

Holy things can come in the strangest

Places that hum quietly incessant,

Prophecies behind a junkies teeth

_______________________________________________

Oldepunk writes in Texas with a pair of kids and cats.  Hockey junkie and music aficionado.  Read more at Ramjetpoetry.


Steel the Whisper

by Aurora Phoenix

 

 

there is a steel band

slicing through my tongue

as I struggle to break the whisper

give voice to the rumbling rise

of my inconvenient truths

the world is burning

/it melts/

from the lava erupting

in my ston-ed heart

I felt the gripe

of your slimy eyes

infest

/molest/

my lushly fruited hips

your hand tells me

to hold my tongue

/clenched as it is/

above my future

clamping down my self-regard

you rest on the laurels of your discontent

as red, rusting

fades

there is a roar

/building/

in this chatteled vessel

the dam in my throat will burst

behold!

what ushers from these lips

—————————————————————

Aurora Phoenix is a wordsmithing oxymoron. Staid suburbanite cloaks a badass warrior wielding weapon grade phrases. Read more of her confabulations at Insights from “Inside.”