Praise for Pantheon by Eric Syrdal

“Pantheon” is a thrilling philosophical journey exploring the depth and meaning for one passing through a metaphorical world of inner demons and dragons, goddesses of the soul, of warrior and poet. A journey that crosses boundaries of time, space, and perception.  I am captured by the intimate revelations of this intuitive and sympathetic protagonist battling the dark ages of his subconscious moving instinctively forward into innerscape, relying upon and exalting the virtue goddesses that guide and deliver him from barbarity and trial by ordeal both physical and spiritually as he transports from one state of being to another, from one point of time to another”

Holly Rene Hunter
House of Heart

“The poetry is densely colourful, rich in imagery and sensuality, boldly imaginative and deeply sensitive to the human condition, while being written with clarity and emotional pull. I found myself sitting for three hours, empty coffee cups scattered around me, utterly absorbed in the storytelling and the crafting of language. Syrdal has created something very powerful, using elements of history, science fiction, worldly fantasy and unmistakable reality to bind these pieces together in a system of belief and fantastic-theology that appears utterly believable, utterly intoxicating.”

Lois E. Linkens

I won’t spoil the brilliant conclusion of this novel, suffice to say, if it is your desire to read something astoundingly original, from a writer who is not only a truly breathtaking author, deft with supernatural words and ideas, but a dreamer of worlds, who will blow any preconceived notions you have away and leave you shell shocked by the sheer power of his mind, then I cannot recommend Eric Syrdal and his novel Pantheon more highly. “I built this beach / and the stars / and the moon …. I turn back the wheels of heaven / and make time stop and rewind / over and over ….. Because I don’t know how to tell him / A machine had a wish.”

Candice Louisa Daquin, Author of Pinch the Lock
The Feathered Sleep

Review Of Magpie In August, Kindra M. Austin By Kristiana Reed

Originally posted on Indie Blu(e).

Austin stuns with her debut novel, Magpie in August. A lovingly written narrative about living, dying and the purgatory in between.

I’ve been an admirer and reader of Austin’s poetry since late 2016, a little while after she started poemsandparagraphs. Austin always writes honestly with the razor-sharp ability to steal the breath from my lungs and make me punch the air with my fist. However, I did not know what to expect with Magpie in August, except it grew out of her relationship with her late mother (as revealed in her interview with Sudden Denouement founder, Jasper Kerkau).

Within the first few pages, Magpie, our protagonist, was sketched into my mind in vivid magenta, violet and deep charcoal. Magpie’s love for Peter was palpable from the first time he called her ‘Beautiful’ as if it was her ‘God given name’. Her mother, Lynette, is an angel and demon wrapped up in one and Renny, Magpie’s reader and listener, a friend and foe. Austin leads us to believe we know everything there is to know about these people. Magpie can be cruel. Lynette is fickle and flippant. Peter is a watchful guardian and Renny is silent.

But, they are people, not characters and so our omniscient facade soon falls away. In every chapter, Austin gifts us a new angle, new mirror and new prism to refract everything we knew through. In fact, it is only Peter, quite fittingly, who remains the same.

Austin gave me a safe space to reflect on my own relationships, to draw parallels and thank my blessings. Her exploration of grief and loss is beautiful. A stunning, heart-wrenching tribute to the human condition and its difficulty to love unconditionally, when love, at the end of it all, is what we do best. Every person receives redemption of some form – Magpie, Lynette, Wren, Dalton (Magpie’s father) and even Jessica Wenzel.

Austin’s unwavering guidance into the darkness of rock bottom, Lake Huron and even the supernatural was superb. Authors like Cecelia Ahern (If You Could See Me Now), F. Scott Fitzgerald (The Great Gatsby) and Douglas Kennedy (The Woman in the Fifth) came to mind as Austin matched their ability to write people not caricatures and take them to places we didn’t expect; never once causing the reader to doubt their ability in ensuring it all makes sense in the end.

Magpie in August ends just as it should. The Magpie who wakes up from a dreamy slumber in chapter 1 is the Magpie embracing all the earth and sky have to offer in the final chapter. Austin brings us full circle; allowing us to reap the rewards of a woman saving herself.

Magpie leaves us believing she deserves to breathe, love and wait for her

beloved stars to awaken silvery blue in an inky sky.’

To buy:

US
UK


Kristiana Reed day dreams, people watches in coffee shops, teaches English and writes. She is a curator on Blood into Ink, a collective member of The Whisper and the Roar and blogs at My Screaming Twenties. She is 24 and is enjoying the journey which is finding her voice.

Nicole Lyons Book Review of Composition of a Woman by Christine Ray

I was thrilled when the brilliant Christine Ray of Brave and Reckless asked me to read and review an advanced copy of her debut collection, ‘Composition of a Woman’, and let me tell you guys, you are going to want to mark your calendars for its July 31st release date! This book is fire, unbridled, out of control, glorious fire!

Composition Of A Woman - Christine E Ray - CS.indd

Cover Design by Mitch Green


Christine Ray’s debut collection ‘Composition of a Woman’ is an extraordinary glimpse into the essence of what it takes to make, and sometimes simultaneously break, a woman as strikingly powerful as she is beautiful.

Christine Ray brilliantly split ‘Composition’ into five thoughtful sections that work together beautifully to deliver the maximum impact of each poem while taking the reader deeper into a stunning journey of the mind, the body, the very soul of this person. In Composition, Christine Ray reveals so much of what we try to hide, and she does so while dancing between ruthlessly beautiful and heartbreakingly painful.

While Ray’s work is often merciless in its unapologetic, in-your-face delivery

the mean girls smelled
like cruelty mixed with uncertainty
disdain peppered with insecurity
ravenous hunger and envy
(What Little Girls Are Made Of)

it is never short of exquisite

she brings black roses
and moonlight
fireflies like stars in her sky
bare feet caress the dewy ground
night blooming jasmine
reaching up to brush her opal skin
(Black Roses and Moonlight)

nor is it ever lacking in white-hot power

I will travel the ancient ways
clothed only in my dark tresses
my alabaster skin
don a crown of rose and poppy
their scent filling the air
I will take back this night
shape its darkness with my hands
make it blaze with stars and moonlight
create a road for my daughters and sisters
to follow home
(Lilith)

Christine Ray holds nothing back when she writes about the pain of depression and a failing body. She is raw and unashamed when she speaks to sexuality and the way society still reeks of misogyny and the absence of humanity. But at her very best she is empowering, speaking to the brave and reckless women who she lovingly refers to as sisters.

‘Composition’ is a beautiful book that takes the time to acknowledge that while some of the weight we carry through life may not be ours to carry, sometimes carrying it is just as important as knowing when to let it all go.

Find more of Christine’s work, and the work of those she champions at:

Whisper and the Roar
Blood Into Ink
Sudden Denouement
Indie Blu(e)

Sudden Denouement Publishing has definitely picked another winner with Christine Ray!


Nicole Lyons is a force of nature disguised as a writer, a social activist, a voice for the downtrodden, and a powerful poet with a delicate touch. She is a best selling published author, poet, and also a consulting editor for Sudden Denouement.

Review of Leonard The Liar, Nicholas Gagnier by Kristiana Reed

Let me begin honestly. There is no hiding the love I have always had for Nicholas Gagnier’s work; whether that be his poetry or being a beta reader for his novel Founding Fathers, due to be released in the summer of 2019. However, this also meant I approached reading Leonard the Liar with a preconceived notion of Gagnier’s narrative voice. I hear Gagnier as an angsty yet wise before his time twenty something to thirty something year old, who is both equally in and out of love with the world around him. This was not the voice I heard in the opening of Leonard – the prologue which lays the foundations for the telling of this story.

Gagnier’s strength is in his characters. His ability to write about the complexity and brilliance of human nature all at once. His characters are not metaphors or windows to a bigger picture; they are the people, like you and me, living in the bigger picture; living in the world we struggle to recognise yet know all too well at the same time. Leonard in his fifties appeared to lack this for me but Gagnier soon turned the tide.

Each moment and encounter Leonard faces shapes him and reveals secrets, and paths he regrets walking down. From struggling to even see Gagnier in the prologue, I soon saw little parts of myself in every character. I saw myself in Skylar’s reckless yet needy nature. I saw myself in Leonard’s lies and his endless search for happiness everywhere, except where it already exists. I saw myself in Claire’s ability to love even if it means getting hurt. I saw myself in Luke’s short tempered fury but perhaps not in his ability to win a bar fight singlehandedly.

I read and enjoyed Leonard the Liar. I smiled, laughed and furrowed my brow. However, as the denouement opened I forgot about enjoyment and Gagnier’s skilful storytelling took hold of me – whether by the hand, heart or throat is hard to tell. All I know is I felt every last syllable. And I cried with both grief and hope because this is what Gagnier does. He introduces you to a man we can all relate to. A man who has secrets, insecurities and memories he would rather not share. A man who lies, loves and loses. But, despite all of the heartbreak in this novella, there is light. There is light wherever you would like it to be – in the happy ending, in the morning sky or at the end of the tunnel.

Gagnier always reminds us to ‘Never lose your light’ and I think for the first time it truly made sense, thanks to Skylar’s words:

‘I hope you will forgive me the words my darkness spoke, and use them to find your light.’

In short, mid-fifties Leonard makes perfect sense by the final pages and my preconceived notion of Gagnier’s voice was flipped on its head; introducing me again to him as a writer whose voice will always be heard above the crowd.

To buy:

US
UK


Kristiana Reed day dreams, people watches in coffee shops, teaches English and writes. She is a curator on Blood into Ink, a collective member of The Whisper and the Roar and blogs at My Screaming Twenties. She is 24 and is enjoying the journey which is finding her voice.

Candice Louisa Daquin Reviews Composition of a Woman by Christine E. Ray

Poet Christine Ray’s first printed collection of poetry, Composition of a Woman (Sudden Denouement Press, 2018) is a striking, fearless foray into the psyche of womanhood, both highly relatable and intensely personal for female readers and achingly candid and fascinating for male.

Ray has already struck her mark as a writer of substance with her blog, Brave & Reckless and her involvement in the literary collective Sudden Denouement, but the bringing together of a cherished portion of her work on the subject of the feminine experience, is a special treat, enabling us to appreciate her breadth of understanding and the humor and tragedy behind the female.

From the very first poem, in her trademark fashion, Ray describes modern womanhood thus; “there is an unknown thief/black-clad/masked vigilante/stealing into my nights”  (The Body Politic). In many ways this is a canvas upon which she has illustrated pockets of life in such ways  “I am afraid/of disintegration” “I am routinely pricked with pins” (Vibrational Sensory Loss) most of us have felt this way in today’s world because of chronic illness and/or stress or loss of identity and voicing those emotions is both necessary and difficult, something Ray excels at.

Additionally this is the language of love gained and lost, thwarted and found, destroyed and remembered in a fantastical landscape. “symmetrical patterns/ captured briefly in the mirror/ before the spin of the wheel/ pulled us apart / leaving our jewel tone edges / aching from separation.” (Kaleidoscope) In this, the book has a lovely balance between literal and metaphysical suffering as well as being a testimony of a woman’s walk through life, and her ability to survive the un-survivable.

Ray’s distinctiveness comes from her inability to turn away from truth, her proffered confessional, and the blunt, often beautifully crafted mélange of accents, emotions and voices that spill from her depths.  “I have been waking / in one of two states / words pulling at me/ rousing me/ demanding.” (Brilliant Madness) . Her voice is one many of us have heard at night, and been pulled toward, before holding onto a fragment come morning, she is at once, impossible to quantify and disarmingly real, her charm is in the rendering of a universal experience of life.  “there is a point / where the pain starts / radiates out/ in a geometric/ arc / compresses / folds / reconfigures me / like an open fan.” (Accordion Folds).

The purpose of poetry is surely to form impressions of emotions hard to give words to. The poet is a painter of lives, the reader finds themselves in those shades and it is that recognized quill and truism that draws us to the poetic form, so immediate and unadulterated beyond the confines of prose. “how many empty shapes/ have been etched on my soul / like shadow / like negatives of photographs / from those who have been torn away.” (Loss is an Ocean). Therefore when a poet can become the photo album for a life time or a gender, they have successfully translated our unsaid experience, which is what Composition of a Woman does uncannily well. “I arise something new / wipe the blood from my mouth / spread fledgling wings / and with the lift of the north wind / I claim the night sky / mine.” (Raven).

Christine Ray is woman poet of today’s arrhythmic heartbeat, her transformation from within to without is best described in her poem Becoming a Poet, conveying how; “she was always struck by the juxtaposition / of her physical body / negotiating / close suburbs, …. while her heart and mind / wandered in the isolated wilderness / while errant words and wisps of dreams / and drops of feelings like rich, red blood / continued to seep out of her.” For so long, woman’s voices were repressed, by others, by themselves, by the system. Poets like Ray are the new generation, they’re not keeping quiet, they’re dragging by the neck all that hasn’t been said, all that is labeled shameful, and opening the cage doors. After all, freedom is found in truth.

Composition of a Woman will be released by Sudden Denouement Publishing on Tuesday, July 31st.  It will be available on Amazon.com, Amazon Canada, Amazon Europe and other major retailers.


Daquin’s own life, traveling from her native France, via England, Canada and finally the US, has brought a myriad of experiences that others have often been able to tap into via her writing. A collection of lives really, and with this, she tries to weave greater meaning through poetry and touch those who experience similar questions, doubts, and hopes. Surely this is what writing attempts in its very human form?

Daquin’s themes include feminism in its complex, everyday form, and the experience of being a woman, a gay woman, a bi-racial woman, a bi-cultural woman and finally, a Jewish woman of Egyptian extraction (Mizrahi) and how this sits with the world’s current revolt between the dominant faiths.

You can read more of her writing at The Feathered Sleep.

Sneak Peek: Nicole Lyons Reviews Composition of a Woman by Christine E. Ray

“Christine Ray’s debut collection ‘Composition of a Woman’ is an extraordinary glimpse into the essence of what it takes to make, and sometimes simultaneously break, a woman as strikingly powerful as she is beautiful.

Christine Ray brilliantly split Composition into five thoughtful sections that work together beautifully to deliver the maximum impact of each poem while taking the reader deeper into a stunning journey of the mind, the body, the very soul of this person. In Composition, Christine Ray reveals so much of what we try to hide, and she does so while dancing between ruthlessly beautiful and heartbreakingly painful.”

Nicole Lyons, I Am A World of Uncertainties Disguised As A Girl

Georgia Park Reviews I am a World of Uncertainties Disguised as a Girl by Nicole Lyons

Sudden Denouement’s own Georgia Park tells you why ‘I am a World of Uncertainties Disguised as a Girl’ should be in your library.

‘I am a World of Uncertainties Disguised as a Girl is available for purchase at  Amazon.com

Georgia’s book Quit Your Job and Become a Poet (Out of Spite) is available at Lulu in paperback and ebook format.