This is the End

the end

We want to reach out.
But baby
here, now, this is the end.
We know, we know ‘ the end ’. We’ve lived inside it.
Slept. Slept. Inhaled.
Creatures of absence.
Your eye is an alien being.
It alone sings. A rotating rim.
Continuously revolving in the hemisphere’s strange music.
I look down. My feet are shadows.
As are my thighs. My body. My bones.
All flesh is a memory.
I see its desperation in the starched sky.
I am the remainder. The remainder of distortion. Climate of mishaps.
I say this is the end.
Your fingers tackle my defeated hair. You wish for sound.
You almost demand it.
But I only meet you in clever silence. The loudest kind. The ugliest kind.
I meet you in suffering.
You wish for me to speak.
Tell you that I love you.
But I only dissolve. I dissolve like all matter does.
In inconspicuous battles. I’m almost fluid. I almost do not exist.
My face is streaming into yours.
My hands clasp yours and forge starfishes.
We are satin blue.
I hold you close to my mouth and kiss your bright skin.
Your mouth melts off
and your voice floats like snow flakes in my chest.
‘ This is the end. ‘
It says ‘ this is the end ‘.

 

Aakriti Kuntal is a 24-year-old emerging poetess from the country of veritable colors and stratified rainbows, India. A Network Engineer by profession she has been writing for over a year now. She enjoys nature, music, all things geeky and all things art.

Aakriti writes for the Writings of Aakriti Kuntal, and her work has been published in 1947 Literary Journal, Duane’s PoeTree blog, Visual Verse and Indian Periodical among others.

i checked myself

i checked

i have checked myself and seen that i am nothing; 
the bones of poets gone and done 
lay beneath the hills. 
i put on my boots and took my shovel, 
for to disturb them 
would be a lesser crime than to ignore.

i checked myself 
and saw that i was nothing; 
i looked for art 
and saw it slither into bank accounts in dead of night, 
while the dewy brows of poverty’s poets 
tremble in their plight. 

i checked myself
and let myself stand up.
stand up, i said –
stand up, writers! 
stand up for complexity, confusion and colour. 
take your pennies and forget the pied pipers, 
they have led naught but rats.

i saw the riches over realness, 
splendour over solidarity… 
i cried upon my pillow. 
my people, my people!
when the muses so return, tell them why you wrote!

we not one of us free falls –
i checked myself…
something always had me.

 

[ Lois describes herself as a “confused english student,” though one quickly finds a polished, charming poet in her work. She has an elegant style that compliments her keen insight and whimsical sensibilities. It is a pleasure to present her work, and you can find more of it at Lois E. Linkins.]

Notes On A Suicide by Hemingway – A.G. Diedericks

The cosmos misplaced me
left me to meteor into this zeitgeist
of insipid distractions
Where i roam as an anachronism
under the city of lights
in pursuit of remnants from Lutetia
with nothing but a pen & piece
of paper to live on

Problem is I’m not a poet
Let me tell you how i know it:
I kill a reader
every time i get published
I drag ’em out
to the Battle of Normandy
and en garde my quill
up against their arsenal;
I tread belligerently
over land mines, unarmored
until there’s nothing left
of me to spill

Because who am i
without these lacerations
cut on truth
cut to the left
cut with avant garde

I look on as they flee for shelter
in colloquial boats
Washed up on the shores
of contrived obeisance

I write myself out
and into pastiche
Here..
Where i can marvel at all the artifacts
that has since been decimated
by phosphorescent eyes

In this solitary hamlet
away from the hullabaloo
of small voices;
I swim naked in a cesspool
of regret & excuses;
The past is a rope that pulls me up from the quagmire of my present;
The ghost of Hemingway smirks
at my attempted suicide
as he steals all the bullets from
my plagiarized shotgun

Leaving me tied to the dénouement
of his sagacious notes,

“Your abstract is redundant. The expatriates weren’t lost in an
archaic era. We Roared the 20s with the clamour of our own literature.
How is the reader supposed to find any emotive resonance in this?
Your soul is still buried underneath the words, and it will only come
to life once you’ve unearthed your own voice. I suggest you go and
pick a fight with a bull in the streets of Pamplona; You’ll find
everything you need there.”


A.G. Diedericks: “‘write what you know’ are the four most soporific
words I’ve ever heard. I am a divergent writer who couldn’t give 2
fucks about striving to be the best. To write only what you know, is
to play it safe. Art is imaginative rebellion. I am engaged with the
versatile risk takers, the ones who are not afraid to take their shoes
off & get dirty. I write & curate at Morality Park.”]

Poetry: Buy, Sell, or Hold – David Lohrey


Poetry: Buy, Sell, or Hold?

I sent my new poem to an old friend who replied:
“I know nothing of poetry.”
Another said about the same. “I don’t read the stuff.
Sorry.” It got me to thinking.

Had I sent in a stock tip, they would have rewarded me.
I might have received a bottle of Chablis, maybe even a good one,
had I sent in trading data on Nasdaq or the New York Stock Exchange.
Who would have said, “I’m not into making money.”?

But one comes to learn an awful truth about one’s friends.
Not just their indifference; that’s painful enough.
No. It’s that for them poetry is something akin to masturbation.
They don’t want to hear about it. It’s an embarrassment.

My friends are always buying or selling. If I had produced a tomato,
I’d have been advised to set up a stand on the sidewalk.
The price of tomatoes is high, asparagus even higher,
but poetry is nearly worthless; like trying to sell one’s teeth.

Poetry is not a commodity. My friends are merchants.
It’s a shameful action, like going to Confession.
Can you sell your sins? How much do one’s dreams weigh?
Nobody wants to watch a friend display himself.

It’s not that poetry is disgusting. But it may be shameful.
It’s seen as a waste of time: not an adult activity, not a good investment,
something more akin to gathering pine cones or pressing leaves in an album,
i.e., kid stuff, or a hobby for little old ladies.

I feel like a cat taking a bloody mouse to her master.
As I drop my poem at my friend’s feet, she gives it a glance
and sneers: “What’s that for? It’s not very pleasant.
Your job is to please me. Go play in the garden.”

That’s the response of my once best friend. She sees herself as an artist
or at least claims to be artistic. She wouldn’t treat a painting the way she scorns poetry.
But then again you can own an oil. You can hang it.
Even better you can resell it.

Stocks and paintings are good investments, like real estate.
Cars and furniture lose value, more like a poem.
They’re best when new, but with art, the worth is in its place,
they say. It’s not just beauty; it’s location, location, location.

Poetry is a dying art, especially when the artistic disown it.
They’d rather have crème brûlée or pear mousse with walnuts.
It’s not only prettier but something sweet. Poetry is no treat, and poets
are a nuisance. They have the absurd idea that what they do has value.

 

[David Lohrey is the author of Machiavelli’s Backyard from Sudden Denouement Publishing. He is also an editor for Sudden Denouement and a mentor for me personally – Jasper Kerkau]

BECAUSE I’M A WHORE WHO ASKED FOR IT – Kindra M. Austin

I quite like the dark side, dear.

Show me your shadows, those

Phallic phalanges, and

Feel up my female.

 

I quite like the fusty spoors of

Spirits, and semen, and plundered

Blood

Fixed to my skin.

 

I quite like the emptiness settled in the pit of me—

The sharp taste on my tongue as I lick the edge of abyss.

 

Because I’m a whore who asked for it, simply by breathing.

 


 

Kindra M. Austin is an author (information on her book can be found here), artist, and a Sagittarius Valkyrie from the state of Michigan—Go Detroit Red Wings! She likes her drinks corpse stiff, music loud as fuck, and classic big block muscle cars. You can find her filing through the souls of the slain at poems and paragraphs. ]

Kindra M. Austin has just published a poetry book.
Click HERE for more information!

Sudden Denouement Publishing Presents Nicole Lyons’ New Book: I Am A World Of Uncertainties Disguised As A Girl

A Global Divergent Literary Collective

Sudden Denouement Publishing Presents: Nicole Lyons’ New Book –I Am A World Of Uncertainties Disguised As A Girl is available now via Amazon. 

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[I am honored to be part of bringing to the world a new collection of the exquisite poetry of Nicole Lyons.  I have discovered so many wonderful souls on this journey, Nicole Lyons has become a wonderful friend, adviser, and mentor to me. It is an amazing privilege to announce this book.  Jasper Kerkau]

‘I Am A World Of Uncertainties Disguised As A Girl’ written by author and poet Nicole Lyons, is a breathtaking collection of poems that blurs the lines between love and madness. A sorceress of words, Nicole Lyons takes the reader to the edge of the abyss of creativity, sanity, and love, and asks the question, ‘can one survive both a broken heart and a broken mind?’

I Am A World Of…

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