‘for e. d.’ Lois Linkens

 

the city glitters after dark,
busy busy night-owls
shuffle and scuffle
in their white-glass nests.
and we watch,
tired eyes and heavy bags
on a faraway train

we are sexless soulmates
and brotherly brides,
platonic partners pledged
in the ink of mutual need
and searching hearts

sisters in arms,
rosy-cheeks and high-school charms;
my curly-haired comic

heads full of homework,
a makeshift skyline
of yet-to-be
paints itself across the dark,
as young love
rings it’s soon-forgotten bell

confused youth;
a cloud-grey gosling
peeks its ugly head
through the bulrushes
to see the swans;

we are cast-away boats
in stormy seas,
just looking for a place to land.


[ Lois describes herself as a “confused english student,” though one quickly finds a polished, charming poet in her work. She has an elegant style that compliments her keen insight and whimsical sensibilities. It is a pleasure to present her work, and you can find more of it at Lois E. Linkins.]

A Convenient Marriage – Lois E. Linkins

we sleep in separate beds,
to clear our clouded heads.
we keep our secrets wrapped
in gaudy signatures and glasses cracked
over organ flourishes.
we have rooms upon rooms,
some shortage of love
made up in statement wallpaper and bespoke furniture.

the sweeping staircase
holds centre place,
a marble decoy
feels as cold as the flesh
behind the welcome and the wine;
we keep our hands apart,
modern art
stands for wedding photos developed unseen,
money sadly spent
on a white pretence
that fill so many baby dreams;
tradition screams.

mais oui,
it seems that playground jests
have found their poorest manifest
in our little life of theatre.

mama, he thinks our homespun play
is swallowed like tequila,
he believes the empty nursery unnoticed,
sitting in his claw-foot bathtub
with a beard of bubbles,
oblivious to the pool of mockery
in which he is submerged;
mama, it would not take much!
oh, for some sweet humour with the help…
yes, i could be content.

 


 

[ Lois describes herself as a “confused english student,” though one quickly finds a polished, charming poet in her work. She has an elegant style that compliments her keen insight and whimsical sensibilities. It is a pleasure to present her work, and you can find more of it at Lois E. Linkins.]

Cat Nap

by Lois Linkens and Christine Ray

catnap

 

sleep stalks me, finds me an easy target

slinks in to drag me under, into the depths
where unknown dangers lurk in my unconscious
what murkiness lies behind my drooping lashes,
what shadows hide between each whistling breath?
what sharpness snuggles buried
among the feathers in my pillow,
what traps will soon ensnare
and dangle me, just feet from death?

they hook me, by the ankle
and suspend me from the tree of dreams,
around which serpents rattle, tigers prowl,
insects scuttle, poisonous, foul.
blood rushing to my head
cheeks flushed
heart thundering
as i dangle helpless

great cats bat their armored paws
at my flailing hair
like beggars round a campfire.
their claws pull and snag –
draw drops of blood
that quench night blooming jasmine
waiting below

i wake with a start. temples throb and pulse,
the bed is dry as my parched throat, blankets cold.
perhaps a girl
can be herself without the hair of fairytales.

 

 

Lois describes herself as a “confused english student,” though one quickly finds a polished, charming poet in her work. She has an elegant style that compliments her keen insight and whimsical sensibilities. It is a pleasure to present her work, and we ask you to take a second to look at more of her wonderful work, lois e.linkens

Christine Ray writes for Brave and Reckless and is a member of Sudden Denouement.  She is also curator at Blood Into Ink and barista at Go Dog Go Cafe.  She is an aspiring badass.

 

a messy letter to my child

lois e. linkens

https://johanhoekstracollection.files.wordpress.com/2012/09/lioness-and-cubs-2002-johan-hoekstra-wildlife-art.jpg

i catch glimpses of you
on the high street
in the supermarket
in the park.
each day, i feel the touch
of your pea-sized toes
and the grip of your precious fingers,
beckoning me in longing,
in hope.

to know that someday
i will hold you and tell you
the stories that are
just tears and laughter to me now
makes my useless life
a fairy-tale

you will be
the sole reader
of my greatest story,
and then my greatest story
will be you.

but i hear you,
i see your brimming eyes
and your trembling bottom lip –

‘mummy,
why did you have me
if you know our world was soon to end?’

my face fades.
i feel my heart dropping
below my lungs
that burn in the heat
of our aching planet

how can i answer that?
how could i be so selfish,
to let my own desire,

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A Conversation, Colored Lonely

Insights from "Inside"

(written in collaboration with the inimitable Lois E Linkens)

it is at night,
when the silence screams the loudest.
when the curtains are drawn,
and the candle snuffed –
the air is burnt,
with the orange glow
of the blackened wick.
a single star
in an empty sky,
a tiger’s eye
in the witching forest,
a lonely car
on the midnight highway.

in the daylight

the silence is shushed

its horns ground down

under the trampling of the day

it finds kindred spirits

lurking in the pauses

poised to pounce

between hither and yon

a rabid Chimera

intent on foiling its captors

it is at night,
when the silence grows its wings;
when it becomes
arms and fingers
that squeeze and squash,
leaving their purple stains
across my skin.
so tomorrow,
i’ll cover up –
for what does loneliness wear,
when it wants to make a friend?

in the daylight

I…

View original post 183 more words

bogged, buried, bridgewatered-Lois E. Linkens & Malicia Frost/Malicia’s Malebolge

I was fourteen, and starting to decompose faster

the water spilled

over the years,

over her body

like a plague of ants.

Already kneeling in the mud

I could feel my body being stretched out 

nipples aching, labia swelling

it drove its way in,

with a silent battering ram

and swords of silk.

you were the first time

I felt the touch of death 

between my legs

oh, hateful –
but grateful she was
that the stone struck when it did.

a cry of despair,
like when I was nine,
lying on the hard parquet floor of the living room
cupping my breasts,
trying to push the knots back in
I’m just a child! I’m just a child!

she lifted dead hands
in praise of her protector,
for protect her he had,
and as layers of dirt built up,

I threw rocks after boys
who came yelling my name

she pitied them,
Leave me alone! Leave me alone!
And oh,
didn’t you know?
You’re supposed to bleed

bound to lie
in pungent darkness
that she only made danker.

Year by year,
as my body sank down in the bog
I grew more and more desperate
searching for ways to cleanse myself
an orgasm,
a reckless mascara plump on the cheek,
a slit wrist,
an aching need
for affirmation
the summary of an entire childhood,
tucked into a bra

the sores on her skin
filled with soil,

all girly things are good,

the scars on her arms

bright in the black of the bog

all girls to learn how to play nicely

how to decay without a sound

compressing yourself into a fossilized smile,

a blindfold

and a constantly repeating

“yes, I forgive you”


Lois describes herself as a “confused english student,” though one quickly finds a polished, charming poet in her work. She has an elegant style that compliments her keen insight and whimsical sensibilities. It is a pleasure to present her work, and we ask you to take a second to look at more of her wonderful work.
Malicia Frost, or Henna, is a hobbyist writer and an aspiring novelist from Finland. She enjoys surrealism, sci-fi and horror, and her works often deal with mental illness. More of her works can be found at her personal blog.]

lois e. linkens – upon realisation that perhaps i am completely sure

stonehenge.jpg

you weave your woollen whims
to surround me
in the garbadine of our gandering

you trample the simplicity
of tea-cup games and teddy bears –
playground grazes know none than this

damp shirt and glasses;
i’d switch my eyes for yours
so you could see
beneath the ocean

still, ride the blackwaters
with socked feet sodden;
put your records on
and leave paw prints around my petticoats

take me to the dock,
where the walrus wail
and seagulls cry.
let us know the purity of instinct

the purity of art
that transcends education,
memory or muse

you are scars and sculptures,
skin and silver

stonehenge me


Lois describes herself as a “confused english student,” though one quickly finds a polished, charming poet in her work. She has an elegant style that compliments her keen insight and whimsical sensibilities. It is a pleasure to present her work, and we ask you to take a second to look at more of her wonderful work.