Sudden Denouement Classics: Not to love, then – Georgia Park


Not to love, then by Georgia Park (Private Bad Thoughts)

He can’t love himself
until he’s filthy stinkin’ rich
with heat and a toilet

I can’t love me
until I’m published

so we call to remind each other
not to love anyone else, then
until these things happen

I write for his latest business scheme
over eggs with hollandaise
canadian bacon,
coffee with cream in it
all the most fattening things
for our one meal per day
we name concepts-
The Devil’s Companion,
The Dusty Bible
then vow to steer clear
of satanism-
not the most popular theme
how about…The Liquid Lady?

we shake hands and take turns paying
grounded in who is struggling more

he still daily promises
to never let me starve
or lead me homeless,
like he kind of is
and he keeps to it
bringing pounds of burritos,
chocolate milk and whatever’s waiting
inside our Styrofoam boxes
from the back of the restaurant
when no one’s looking
but he swears he won’t take care
of any babies
by another man

I date lots of them
but i never feel
the way i still do about him
ever again
he does, often
and tells me about it
i look at their pictures
ooh-ing and ahh-ing

There’s grinds in my coffee
i am laughing
and the waitress thinks
so many good things
about us
but we are good tippers
so this comes

Georgia writes for Sudden Denouement, Private Bad Thoughts, and is the creator of Whisper and the Roar: A Feminist Literary Collective.

Short Circuiting- Ms. Georgia Park

What if i recklessly wrote three or four poems a day
and sent them into the void of cyberspace
where anyone from my little brother to my exes could read them
until i was picked clean like the carcass
of the rotisserie chicken my aunt sent me home with last weekend
and what if i then found spiderwebs in my pantry
and boiled a bone broth with it – would i be all
water with shiny oil spills fed to the masses
at the homeless shelter i almost wound up at

or should i instead demand a little privacy
when the car of my body stops short and my brain
reels back and jolts violently against my skull
until i am irrevocably damaged? should i put on display
for the purpose of a science i dont understand
the spots where i am worn thin and short circuiting

or should i grow out my hair to it’s natural color
and pile it on top of my head, donned in sweatpants
do yoga, think about the best exercises for an aging woman
go to therapy, read thick novels, think of children
and bake my very first contribution to Thanksgiving?
Just a pumpkin pie, nothing fancy. Could i possibly
forget what happened to me (was it me, really, even back then?)
or at least stop talking about it and just go quiet
could i pass for a brain that’s not short circuiting?

Georgia writes for Sudden Denouement, Private Bad Thoughts, and is the creator of Whisper and the Roar: A Feminist Literary Collective.

We, the sick.- Georgia Park & Anthony Gorman

They say the sickest people
are the ones who refuse medication
because they don’t trust it
but what if i’m not depressed?
Maybe life’s just not worth living
I list out the reasons to end it
and logically, they just make sense

They say us cured ones
are wise, and swallow without reflection
because we don’t think to question.
What if I’m still depressed,
I dread the shield is getting thicker
Maybe life’s worth living,
can’t comment, can’t even feel it
I list out the reasons to end it
and logically, they just make sense.

Do I take the medication
because I’m sick, or the world is,
or to create a barrier
like a jellyfish membrane
between me and them?
I feel the walls are getting thicker
and they sting
I list out the reasons to end it
and logically, it just makes sense

Do I fake my response to treatment
because i’m sick, or the world is or
to lower hazy glass plane between
me and them?
I fear my walls are shrinking
the sting’s displaced by death
I list out reasons to end it
but logically, is it even worth its breath?

©Georgia Park and Anthony Gorman 2018

image: pixabay

Interview: Composition of a Woman by Christine Ray


You started you journey in the past two years. In that time you have made enormous strides as a writer and a publisher. Is there validation in getting a book to press?

My life has changed a great deal in the last two years, hasn’t it? I knew nothing about blogging when I started Brave and Reckless, let alone publishing. It has been quite an education as I have learned how to negotiate the blogging world and then the world of small press publishing. I think my writing has improved dramatically over the last two years as I have found my voice and been exposed to some really incredible writing. Joining Sudden Denouement has really challenged me to refine my writing and take more risks.

If someone had told me two years ago that I would be publishing my first book of poetry this month, I would have laughed at the idea. Even a year ago I would have scoffed at the idea- I was still too new and too raw a writer. The idea that getting a book to press was an actual possibility grew very slowly. Even in early 2018 I was really struggling with the questions of “Is this the right time?” and “Is my writing really good enough to warrant a standalone book?”

Many steps along this journey have been incredibly validating. Winning the Sudden Denouement Writing Contest, having Brave and Reckless designated a Discover Blog by the WordPress editors, getting published in a e-Zine for the first time, getting published in Nicholas Gagnier’s Swear To Me, editing Anthology Volume I: Writings from the Sudden Denouement Literary Collective have all validated my sense that this is what I am meant to be doing. I can’t tell you how tickled I am that I have a Goodreads Author page and an Amazon author page! It’s crazy. Publishing Composition of a Woman is both validating and surreal, exciting and a little terrifying.

My experience tells me that a great deal of writers stop within a year. What suggestion would you give to new writers about seeing their dreams through?

Keep reading, keep writing, keep networking, give support to other writers as generously as you can, and find your tribe. What has happened in my writing life over the last two years is truly astonishing. But it wasn’t part of a master plan that I carefully developed. I just kept walking through the open doors when opportunity presented itself. And when there wasn’t an opportunity for something I believed in passionately, I asked myself if I could make it happen. Blood Into Ink, Go Dog Go Café, and Indie Blu(e) all grew out of that place.

At the core of your first book, what message do you want to articulate? What do you want the reader to take away from the book?

Writing is really my therapy, my diary, and my confessional. Composition of a Woman covers a wide range of themes: chronic illness, depression, love, loss, and identity. These are issues that many of us will wrestle with in our lifetimes. These pieces are both deeply personal and highly relatable. I want readers to feel less alone when they read Composition of a Woman. I want them to know I get it, that I’ve lived it. Perhaps I will be able to articulate their lived experience in a way they have never been able to.

You have done an amazing job communicating with other writers. How important is that your journey?

I didn’t start Brave and Reckless because of the writing community, but I have definitely stayed because of it. I honestly did not realize how much I needed those connections with other writers until I started to develop them. It was like some small, starved part of my soul woke up when I met other writers who create from some place that I do. I hadn’t written in 12 years when I started my blog. My family and many of my real-world friends had never seen this part of me before and many of them just didn’t know what to do with it! Some of them treat reading my writing like a guilty secret while others find my candor in my writing very unsettling.

In addition to it being deeply important to my emotional health, the power of networking has had a profound impact on my writing life. I was always the kid who hated group projects but I love to write collaboratively. I love the way synergy occurs between writers and how organically something amazing develops. I have started other blogs with writers I have met on WordPress that continue to grow and thrive. It is really an honor to work with other editors and writers who I know have my back and who know that I have theirs.

Sudden Denouement is truly my literary home and I have made deep soul-satisfying friendships there, but my writing circles continue to grow. I have finally started to connect with my local writer’s community and thanks to the incredibly generous and talented Alfa (Silent Squall), I have started to connect with a large group of passionate poets on Facebook and Instagram.

I benefit every day from the support, generosity, friendship, and creative inspiration offered by these writing communities. It is not unusual for me to have four chat windows open while I communicate with writers all over the world- they are my friends, my comrades-in-arms, and my support system. I often hear people complain on social media about how jealous and petty some writers can be. I have been blessed to meet and connect with a writing community that really supports, encourages, and lifts each other up.

S.K. Nicholas stated that it is important to write every day. How did you balance life and writing in a way that provided you the opportunity to make this book happen?

Oh, how I miss writing every day! I used to write every day. I believe that I should be writing every day. I used to get up at 4 am daily just to have two quiet hours to myself to write. I have really been struggling with balance the last seven months. Some days I manage Fibromyalgia and frequent migraine headaches and some days they manage me. I love all the projects I am involved with but my writing and maintenance of Brave and Reckless often get pushed to bottom of my to-do list because of other, more time-sensitive tasks. I had to be pretty ruthless some days and close my email, mute my phone, put on my headphones, and just ignore everything else so I could have a chunk of time to work on the book.

It took an enormous amount of time just to assemble everything I had written since October of 2016 (over 450 pieces!) and start rereading and sorting through the pieces, making decisions whether to include or discard writing, and then organize the original manuscript. There were days that piles of my writing were on every flat surface in my house. My family ate meals amid tentative book sections on more than one occasion. I worked on Composition of a Woman and its sister manuscript, The Myths of Girlhood for months while also working on the Sudden Denouement Anthology and Rachel Finch’s A Sparrow Stirs its Wings. Some days I never thought Composition would never be finished but, here we are!

You have been inspiration to so many. What advice do you have for the poets who have not found their voice, who are looking to become a writer of your caliber?

I still giggle when people say things like “a writer of your caliber.” I want to look around me to see who they are talking to, because they can’t possibly be talking about me!

It helped me to read good writing. Lots of it, as much as I had time for. Not just technically good writing but writing that impacted me—made me feel, made me think, challenged me. It was profound when I stopped worrying so much about pleasing an invisible audience and started writing for me. When I write poetry, it is a selfish act. I am writing what needs to get out, regardless of what anyone else thinks about it. I need to express my truth. Truth isn’t always easy or pretty. It just needs to be authentic.

This sounds like a weird thing to say, but it really made a difference when I stopped thinking of myself as another middle-age woman who wrote some stuff and started thinking of myself as a writer. I had to take myself seriously and see it as part of my identity. It made it easier to justify carving out time for my writing and helped me see this as a marathon, not a sprint. The more you write, the better your writing gets.

Collaborate! It really encouraged me to up my writing game when I started writing with other people. At first I was really shy about asking people to write with me. I have gotten bolder and rarely has anyone say no.

I also took a college-level Creative Writing class that involved workshopping. It both helped reassure me that I had potential and also forced me to look more critically at my writing. I won’t say that it was always a good experience for my ego, but my writing voice evolved significantly during those 12 weeks. I left the class much more willing to take risks and much more confident. I also had a lot of fun! If you do not have easy access to a college writing program, there are lots of good online courses available, including many that are free.

Christine Ray is the author of the Composition of a Woman, as well as being managing editor of Sudden Denouement.

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Excerpt from Anthology Volume I: Writings from the Sudden Denouement Literary Collective- bow Wow/Georgia Park


I want the TSA
to smash my dog’s
little safety box into bits
instead of just the disposable lock
made especially for smashing
after the thirteen hours she spent in it
n cargo far from my place in the cabin
and then after landing
I hear her cries, desperate
but I’m not be able to touch her
until we clear customs

I free her in Chicago
and dump her into the car
someone brings for us
painstakingly prearranged
I don’t count on the headache
the pressure the dog fur
out of reach

someone brings the car for us
to drive back in my homeland
after three years locked out of it
the chatter on the radio sounds foreign
American accented English
-it’s hard to listen-

Driving in America is different.
I bow to every driver who passes
like a good Korean
and then I start nodding…
it’s the 24 hour difference
I just can’t manage
my dog is alive
and I am so
bone tired….

Available at, Amazon Europe, Amazon Canada, Book Depository, and other major book retailers

Georgia writes for Sudden Denouement, Private Bad Thoughts, and is the creator of Whisper and the Roar: A Feminist Literary Collective.

Meet Sudden Denouement Collective Member Georgia Park


The editors of Sudden Denouement Literary Collective know that our strength is our writers. We hope that you enjoy getting to know them through our new Writer Interview Series.

What name do you write under?

Georgia Park

In what part of the world do you live?

I live in Salem, MA, USA. I lived in South Korea for several years and saved up enough money while I was there that I could have started a life anywhere. I considered moving to Germany or Chicago afterwards, but Salem is my Ithaca. It’s a small, touristy town on the ocean with a community of artists, which includes some of my greatest friends and worst enemies. I need the friends to inspire me and the enemies to keep my competitive edge.

It also has a lot of little pockets of nature for hiking, fantastic diners, is close to NYC, Boston, and Vermont, and not too far from Canada (just in case). Finally, there is a sufficient amount of Korean food to be had here. I love it.

Please tell us about yourself.
I am finishing a master’s in writing and will pursue an MFA or doctorate next. I am so proud to be a part of Sudden Denouement and Whisper and the Roar. With encouragement from the editors at both of these collectives, I have gone on to publish a book, Quit Your Job and Become a Poet (Out of Spite), and I continue keep up my poetry blog obsessively. I do fictional and non-fictional, funny, playful, dark, morbid, Trump related and non Trump related poems, with or without an emphasis on travel.
I work just over full time as a report editor and then edit some more for fun in between writing my thesis and reviewing books, so although I do have at least two books coming out, I’m not sure when I’ll find the time to write them. Hopefully soon.

Rave reviews:
“Park is a cabaret player for the page….Her poems are agile, improvisational, and pleasingly untidy.” -Zachary Bos, Pen and Anvil Press

“Georgia Park has a wonderful talent.” -Jasper Kerkau, Sudden Denouement

“Put on your seatbelts, because this poet has a tendency to take you places.”-Michelle La Poetica, Dencity

“Fresh, driven, surprising…” -J.D. Scrimgeour, Salem Writers

“…a natural voice. I feel the deep sense of loss, search, and emotion [in] ..the raw openness of your work.” -Jonathon Starke, Palooka

“[Georgia Park] carries complex emotion through swift, abrupt line breaks, creating a palpable and thoughtful sense of motion for the reader.” -Tethered by letters, F(r)iction

“…Shit.” -General murmur in the audience

“I will never eat spaghetti again.” -Unnamed slam poet

If you have a blog or website, please provide the name and the link.

When did you begin your blog/website, and what motivated you start it?
When I returned to America from South Korea, I suffered a bit of a nervous breakdown. I resurrected a blog I had when I was young after I had a falling out with the only person in town I knew, a local writer, who called me some very nasty names. I didn’t know anyone else and felt like I couldn’t join the local writing community after that, so I brought it to the web, where Jasper Kerkau (creator of Sudden Denouement) found me and left encouraging comments. I had a habit of deleting blogs and starting new ones under different names at the time, and Jasper always found me. It was his encouragement that first motivated me to continue on. He has been a huge support and inspiration, along with Christine Ray.

What inspires/motivates you to keep blogging on your site?
I’ve often said that my poetry is like piss, shit and vomit. It just keeps coming out. A more interesting question for me would be what inspires me to stop blogging on my site. Occasionally I get paranoid about who reads and privatize it or I’ll experience a lull. During the lulls in posting poetry on my blog, I am either reading or writing outside of poetry. Outside of poetry, I also write newspaper articles (not under my pseudonym) for the local paper, non-fiction, and fiction, which I tend not to post.

When did you join the Sudden Denouement Literary Collective?
A few months after coming home from Korea, in November of 2016.

Why/how did you join Sudden Denouement?
I eventually decided to research Jasper Kerkau, faithful commenter that he was, discovered Sudden Denouement, and asked to join. I felt completely alone before that. It really changed my life for the better in that I have found the courage to surrender to my dream and make writing my life, practical or not.

What does “Divergent Literature” mean to you?
Take a look at Sudden Denouement, and you’ll see it right away. The writers themselves are of all identities and walks of life, and their pieces are crafted with diverse techniques from wildly various subject matter.

I had a professor in college once assign us three poetry books, all by straight white males, all talking about their childhoods. With all the diversity that exists in the writing world, on all levels, I think that’s such a sin.

SD Founder Jasper Kerkau frequently talks about Sudden Denouement writers using the ‘secret language’. What is it?
Fdsk mone oi e.

What are your literary influences?
David Sedaris, Jack Keroauc (poetry), Jim Behrle, Laura Mullen, Jasper Kerkau, Christine Ray

Has any of your work been published in print? (books, literary magazines, etc.) How did that happen?
Yes, in the Sudden Denouement anthology, the Offbeat literary journal (I submitted through submittable), and Pen and Anvil Press made a bite-sized chapbook for me as well as included me in a bite sized breakfast themed chapbook. Pen and Anvil press accepted me because I went to a writer’s group in Boston and cried about how much I hate the writers in Salem and needed to show at least one of them how much better I was. In fact, most of my literary achievements have been born of spite or vengeance. Sudden Denouement and Whisper and the Roar are the only two that were born of love.
Speaking of which, I will also be featured in one of Sudden Denouement editor Nicholas Gagnier’s forthcoming anthologies, All the Lonely People.

I’ve also had a book published and wrote a couple articles for the local newspaper, if that counts.

Do you have writing goals? What are they?
I want to get into a fully funded MFA when I’m finished with my master’s, mostly because it will buy me more time to write. If that doesn’t happen, I may do some part time work for full time money overseas (I’m thinking teach college in China or Saudi Arabia). I really need more time to write.

I want to publish a second poetry book with Sudden Denouement. I want to be asked to do more readings. My third book will be nonfiction essays, ala David Sedaris. I am working on both now.

Which pieces of your own writing are your favorites? Please share a few links.
Crumpled Up Biographies
I Just Got Back

What else would like to share about your writing, Sudden Denouement, or yourself?
The members of Sudden Denouement are not vicious or competitive, but completely supportive. This is a really special community that doesn’t exist in such a pure state elsewhere in the writing world. I am so proud to call the members of Sudden Denouement my friends. Together, we can take over the world.

A note for the anonymous commenter on my blog- Georgia Park

If I have tilted your chin up or down
depending on our height difference
and kissed you full on the mouth
and smiled broadly, wickedly
then frowned and told you
to fuck off and stopped answering

you should not be reading my blog at all
let alone commenting

If you have known me in the biblical sense
or carnal, as I prefer it,
i’m guessing you are one of thousands
from the year i had
my nervous breakdown

and im guessing that i hit my head
and stained your oxford sweater
with all the blood that spilt from it.

Yeah, I remember. 

Georgia Park is the creator of Private Bad Thoughts, curator of Whisper and the Roar a feminist literary collective, and a writer for Sudden Denouement. She is a wonderful poet with an enormous heart. We can’t imagine this journey without her. Please check out more of her wonderful work.

Across the Street- Georgia Park

Is it my tendrils of smoke, the scent of my shampoo

or my dog’s panting that rises up to the third floor apartment

of the brick building across the street


where you poke your head out of that window

to ask me if id like something to eat,

something specific, always;

pizza, a meatball sub,

or something else entirely

as when you inquire if im dirty

and would like the bath with bubbles

you’re already drawing,

would my dog like to come with me?


and I know it’s not just me.

that alleyway’s past was marked

by heavy foot traffic

before your inquiries,

and it’s not just women;

a fact that comforts me.


You are well taken care of

attired in bright sweaters,

warm and clean.  And gracious

enough to always offer something

i catch you alone sometimes,

bent forward and whispering


It’s clear that you come from a family

and that when we engage in conversations

you speak past me and of nothing solid

so i keep walking, until eventually

you counterfeit an anti-greeting


You say ok, well, I’ll see you!

desperation ringing out

as if we had agreed.


Georgia Park is the creator of Private Bad Thoughts, curator of Whisper and the Roar a feminist literary collective, and a writer for Sudden Denouement. She is a wonderful poet with an enormous heart. We can’t imagine this journey without her. Please check out more of her wonderful work.


Sudden Denouement Anthology Interview Jasper Kerkau and Georgia Park (3 Parts)

Georgia’s personal website is She is curator of, as well as being a writer/editor for Sudden Denouement. This is the first of the Sudden Denouement interviews. Our anthology is coming out in very near future. I would suggest everyone to take a minute and explore the amazing writing of Georgia Park.

This is how I Think of you now- Georgia Park

The funeral procession that blocks my line of traffic
on a sunday morning is easy to dismiss
until i start thinking,
maybe it’s you they’re carrying

I live right by an Irish funeral home
I see people dressed in black
coming out of it on occasion
and I look to see
if they’re your friends
I look for any spark
of recognition

How long has it been
i wonder
since you were dead to me
i do the math
that part is easy

but then i get to wondering
how happy or sad
it would make me
and the line of traffic
might as well be on a weekday
for how much it disrupts me

Georgia Park is the creator of Private Bad Thoughts, curator of Whisper and the Roar a feminist literary collective, and a writer for Sudden Denouement. She is a wonderful poet with an enormous heart. We can’t imagine this journey without her. Please check out more of her wonderful work.